生路粤语版

简介：The story offorty-something, out-of-work washing machine repairman Rudy. He decides to takeback control of his life after a bad patch, but he notices with bitterness thatthose he abandoned along the way are not ready to welcome him with open arms.While the demons from the past come knocking at his door, a chance encounter onthe Internet will change the course of his life.

简介：1942年，11岁的小约瑟夫（约瑟夫·魏斯曼 Joseph Weismann 饰）正是天真烂漫的年纪。盛夏六月的一个清晨，小约瑟夫穿着一件胸口缝着黄色小星星的衣服，正要兴致冲冲地去上学。旧货商邻居鼓励他好好上课，而面包师傅却开他玩笑。他的犹太小伙伴和他的家人在蒙马特高地学习和生活。即使这是块被占领的法国区域，他们仍然得到了暂时的庇护。然而这短暂的幸福和宁静，很快就崩塌了。　　1942年7月16日早上，在埃菲尔铁塔附近的冬季自行车赛车场里，一万三千名受害者被凶残的虏获在一起，准备运往波纳·拉·罗兰德集中营。影片根据真实事件改编而成。

简介：李母和闺女李颖相依为命，可是李颖就是迟迟不嫁。李母想尽办法让女儿“摆脱单身”，可效果总是难尽如意，最终母女俩大吵一架，李颖说出气话：“给我100天，一定嫁出去！”在这100天里，一切答案自有揭晓。

简介：　　东京明和银行职员中山雄吾（户次重幸 饰）坠楼身亡，搜查一课刑警伊丹宪一（川原和久 饰）率队赶赴现场，结果遭遇了颇令他头疼的警视厅电脑犯罪对策课的专门搜查官岩月彬（田中圭 饰）。原来中山生前曾以Justice11的ID在网络上上传散布大量疑似银行内幕信息的数据，其行为早已引起岩月彬及其同僚的注意。伊丹和岩月逼近中山的上司朽木贞义（田口智朗 饰），对方闪烁其词的举止让他们觉察泄露的数据中藏着什么秘密。岩月故意将搜查二课引入搜查本部，后者对旁支线索的追查果然为本案打开局面。不久，明和银行的支付系统发生故障，引起不小的混乱，而奔赴在前线的刑警们也接到来自政府高层的中止调查的命令。
　　看似平常的杀人案，却牵涉着足以撼动全国政经根基的重大秘密……

简介：麟、府二州联姻在即，第一要塞从此固若金汤。却不想府州刺史长子命丧麟州，两州成仇。为洗清嫌疑，杨折两家辗转二州调查，发现了凶案背后的阴谋，最后二州铁骑联手，击溃辽军，挡住敌军践踏中原。

简介：

于浩和阳谷是不同世界观的人，于浩是正规大学毕业生，阳谷是坐过牢的江湖退役大哥。也许因为机缘巧合，也许因为两人在小镇上打了人，两人决定混在一起离开小镇外出创一番自己的事业。一开始他们两没有方向和目标，非常迷茫。有一天两人投奔阳谷从前的朋友胖哥，但发现朋友的状况也不好，两人选择离开，继续没有方向的漂泊生活。在行走的一路上遇到了形形色色的人，每一种类型的人都代表着当今社会不同人群的生活状态。生活中有很多难题，就像两头驴被一根绳子拴住，两端各自有一堆草，它们吃不到各自两端的草，于是决定合作，先吃一边的草再吃另一边的草，结果两只驴都吃上了草。于浩和阳谷在一路风雨中越来越有默契，阳谷也收获了一份爱情，可好

简介：在草原上流传了多年的《黑骏马》的旋律中，离家十二年的白音宝力格（腾格尔 饰）重返草原，他要找到当年抚养自己的奶奶和青梅竹马的索米娅（娜仁花 饰）……幼年丧母的白音宝力格被父亲送给善心的奶奶收养，他和一般年纪的奶奶亲孙女索米娅自此开始了四季迁徙的牧民生活。在白音宝力格成长为少年时，一匹小马驹偶然跑到了他们的蒙古包外，这匹被名为钢嗄哈啦——黑骏马的小马陪伴着白音宝力格成长为少年。在外地工作的父亲来信，要求白音宝力格去城里的学校上学，在分别的前夕，不忍孙子离去的奶奶做主，让白音宝力格和索米娅订婚。三年后，学成乐器的白音宝力格归来，却发现索尼娅已怀有别人的孩子，无可奈何的白音宝力格再度离开了草原……　　本片根据张承志的同名小说改编。

简介：1911年，德国作曲家阿森巴赫（德克•博加德）怀带丧女之痛来到威尼斯，想藉水城美景舒缓心情，可是一切景致所勾起的不过是更加伤心的回忆，直到在旅馆里邂逅美少年塔奇奥（伯恩•安德森），对方宛如希腊雕像般的容颜才令他浑身颤栗，浑然忘我地沉醉在激动的热情中。　　其后，威尼斯城被瘟疫所笼罩，但官方刻意封锁了消息。阿森巴赫逐渐发现这一惊人的危机时，没像其他人一样慌不择路想尽快逃离，相反为了多看塔奇奥一眼，甘愿染上瘟疫命丧威尼斯。

简介：添加演员吴政世、李世荣。

简介：乌云遮月，风潇月空，废旧的钢铁厂里悬挂着几只铁笼，笼中捆绑着几个神情紧张的人，这些人就是贪官、奸商、拐卖儿童犯、票贩、不良医生，他们在等待着审判和交易，周围到处是女性武装组织，性感而又暴力的气息令局势紧张。一辆摩托横空出世，犀利而冷峻的反动者出现，动作神勇矫健、高超的车技、抢无虚发、一幕幕枪战、漂移轮番上演...安安是一名努力认真的替身演员，又是一名异能学府的新生，青春洋溢在脸上，20岁的花季年龄让她对这个世界充满了憧憬，来到新的学校遇到特别的教授，好奇的安安挑战一切未知，在安安身上上演着一幕幕搞笑、惊险、奇特又温情的故事

简介：北宋，皇亲葛彪驰马撞倒王老先生，王与之评理，葛彪令其弟将王打死。王母及三个儿子要葛彪偿命，葛彪蛮不讲理，被王氏三兄弟打死。葛三带领衙役将王氏三兄弟锁往县衙门。县令和葛父共同审理此案，他们不顾天理国法，将王氏三兄弟判成死罪。开封府尹包拯路过本县，王母状告葛家，包拯受理此案。但由于葛家势大，无人敢出来作证。包拯问王氏三兄弟是谁杀死了葛彪，三人争担罪名。包拯只得判王大为葛彪偿命，王母不肯；改判王二，王母也不肯；改判王三，王母应允。包拯怀疑王三不是王母所生，逼王母讲出实情，王母无奈，只好讲出王大、王二是王老先生前妻之子，王三是自己所生。包拯深受感动，决定再详查此案。深夜，包拯梦到三只小蝴蝶被风吹到蜘蛛网上，其中，两只挣脱，最小的一只被网缠住，大蝴蝶只得带领两只小蝴蝶飞去。包拯将最小的蝴蝶从蜘蛛网上救下，于是四只蝴蝶感恩拜谢后飞去。包拯醒来，惊奇自己的梦境恰似...

简介：Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.